Tag Archives: mood
“Clearing snow storm at sunset casting beautiful light on Yosemite National Park’s landmarks, El Capitan and Half Dome”
Wishing every one Happy Holidays and a prosperous New Year ahead. Hope we all get to see nature’s brilliant, spectacular shows in the future. May the light gods continue to cast beautiful light on the landscape in the coming years as well.
”Fog moving into the Yosemite valley and hugging onto the trees on an autumn evening as seen from Tunnel View, Yosemite National Park, California”
Photographers standing at tunnel view and pointing their lenses at Yosemite’s famous landmarks is something that’s predictable, but the show that nature puts on once we are there is totally unpredictable. When there are 50 other tripods at a location we have to rely on nature’s randomness and on some choice of subjects on our part to come away with some unique images.
Here, I used my long lens to capture some details in the trees when fog started rolling into the valley. Although I was at tunnel view hoping that there be some spectacular light at sunset, the thought of having no keeper shots from that shoot if the sunset failed, made me look into my long lens and pick this detail. In terms of light, it turned out to be a dull evening and hence this scene had little color. Just th green of the trees and the white of the fog. This is the reason I’ve presented this in black and white here.
“A collection of impression photographs of Aspens, achieved by controlled camera motion.”
This is a very addictive technique that I learnt this fall. There are number of blogs/websites where they discuss this technique and the different ways to get good results, but none can give you the exact recipe for success. This is mainly because the technique itself depends on random camera motion and hence trying this out in the field and failing many number of times is the only way to get some decent results.
There are many names to this technique, “impressions”, “impression of light”, “in camera painting” etc. All of these refer to the end result, an abstract painting like finish to a photo. I know that something similar may be achieved using Photoshop, but what’s the fun in doing that?
There are two crucial ingredients, I think to a decent looking impression. The subject itself and the type of camera motion (this also involves the choice of shutter speed), either vertical,, horizontal or a simple shake. I have not extensively studied the wide variety of subject that could benefit from this technique, but I found tall aspens respond very well. All of the impressions in this post involve aspens and almost all of them have vertical camera motion.
Let me know which one you like the most.
“Mist rising from the lake surface at sunrise on a cold autumn morning in June Lake, Eastern Sierras, California”
This was shot during my second visit to the eastern sierras this fall. The first visit had generated some wonderful fall color viewing and photographing opportunities, so I kind of had high expectations from my second visit, but due to recent snows, most of the color was knocked down and the weather did not co-operate. I had set up camp at the June Lake Campground, but instead of waking early in the morning and driving a long distance to either South/North Lake or Lake Sabrina (a favourite fall color photographing location), I instead chose to sleep a little late and enjoy the sunrise from the banks of June Lake.
It was also my wife’s first camping out in the cold, well it was 35F – 40F in the night and for someone from the tropics, that’s a lot to tolerate. But the mood at the lake at sunrise with all the mist rising from the surface did compensate for all the cold she had to tolerate and she actually enjoyed being there.
There was sound from a light breeze, the thin layer of mist on the lake surface dancing around with it, but other than that it was completely silent. I noticed these long grass sticking out from the lake bed along with their reflection in the calm waters. Along with the mist and some muted colors, I think it conveys the silent and calm mood pretty well. With no color saturation, I did think about presenting this in BW, but I think there is not much contrast in the scene for that to be effective and also I like the muted colors.
I made this photograph with not much color, while my primary intention of this visit was to to capture vibrant fall colors. Sometimes a pre-conceived idea can completely blind you from seeing everything else that is interesting, but I’m glad that I was able to switch my mindset to adapt what lay before me. I think it is important to be flexible with our plans, when conditions do not co-operate for or original plan to work out.
Here is one from when the first light hit the snow covered peaks.
Comments and criticism welcomed.